I mean the '02 vintage of the Berrio, the first. Ever since the altogether mellower Berrio '03 appeared I've been looking for another sauvignon blanc with that mix of rasping acidity and intense green-ness; capsicums, green beans and sherbet all intertwangling on the tongue to wake up your hind brain and set it dancing the Fandango of Vinous Tastitude. Well, it might just have arrived.
The Lands End Cape Agulhas Sauvignon Blanc ('06, stelvin) is the new contender for the title of Best Sauvignon of the Year. Apparently it gets better with a little bottle age, which is promising, since right now it's a blooming 4+, truly excellent.
The nose is green, clean and sour, with sherbety hints. It tastes, well, truly excellent. Mouth watering sour green-ness, beans or capsicums, and sherbety-stony. It doesn't quite have the gingery warmth in the finish that I really enjoy from sauvignon, preferring instead to gently fade out on a long lemon-lime sherbet note. Green, green, green. If you had taste/sight synaesthesia, then this wine would taste the colour of brand new just unfurled beech leaves.
Elim, the John O' Groats of South Africa, where both this wine and The Berrio come from, might just be the next Marlborough, the next Leyda Valley. All my extremities are crossed.
2007-05-02
2007-04-23
Do I know The Kangarooster? No, but if you hum it I'll try to join in the chorus...
Truth is, there's no such beastie, which is why you need to go to Bordeaux rather than Australia for a truly elegant, balanced Cabernet / Merlot blend (I know that doesn't make sense, but bear with me).
At this tasting, "Cabernet/Merlot blends of Aquitaine", we had eight such wines.
First up was the Tour de Mirambeau '05, bringing early news of the good things to come from what is said to be 'the vintage of the century'. Ever so fresh and fruity, light and easy to drink. If Georges Duboeuf uppped sticks and settled in Entre-Deux-Mers (where Mirambeau are based, although the wine is classed as AC Bordeaux, since Entre-Deux-Mers is a white wine appellation) he would likely be very pleased to make this sort of wine.
The Chateau Coucy '02, from a Saint Emilion satellite, seemed rather less complex than last year, and perhaps a little sweeter, but still very good value at £11.
Ch Troplong-Mondot '99, Saint Emilion Grand Cru, was very fine. A slightly sweet sandalwood perfume-y nose, just exactly as it should be, then on the palate a poised dry medium-bodied savoury red wine. For claret it is markedly stand-alone, as opposed to being a food wine.
l'Arrivet Haut-Brion '99 is a wonderful example of wine which expresses place. There is a distinct mineral stony element to the palate, just as one would hope for in a Pessac-Leognan.
Ch Brillette (bottle 2) ((bottle 1 was actually Ch Old Socks)) is a cracking bargain. £16 for a rounded, mellow, chocolate and plums style of claret. It's a mere Cru Bourgeois Superior, but that's only because the 1855 classification moves more slowly than Lord Kelvin's Pitch and Cork Experiment.
l'Ermitage de Chasse-Spleen (second wine of Ch Chasse-Spleen) was very well liked by most everyone else at the tasting, but I took against it because the wine had a whiff of brimstone or maybe cabbage when opened.
Wine #7 was tonight's shiny bauble: Ch Leoville-las-Cases, Saint-Julien 2eme Cru. Even with five hours of airing it remained dark and tight. I could find hints of the mocha and unlit cigar aromas that top notch Bordeaux can provide, but mainly the Little Genie was saying, 'let me sleep for another five years, or ten'. Perhaps I'll have made my million by then.
Tour de Pez, like Brillette, is a Cru Bourgeois which deserves higher ranking. Spicy and a little sour on the nose (but in a good way. Not volatile acidity or any such malarky), the palate seemed rather closed to me. not ready yet, or in need of lengthy decanting.
To sum up. l'Arrivet is the one to drink right now. If the France vs Australia tussle were a rugby match, then l'Arrivet is the Rooster the Gauls would release onto the pitch to strut about crowing, leaving the poor kangaroo hopping sadly in its wake, dropping oak staves from its pouch and dripping the juice of squished currants from its boxing gloves.
At this tasting, "Cabernet/Merlot blends of Aquitaine", we had eight such wines.
First up was the Tour de Mirambeau '05, bringing early news of the good things to come from what is said to be 'the vintage of the century'. Ever so fresh and fruity, light and easy to drink. If Georges Duboeuf uppped sticks and settled in Entre-Deux-Mers (where Mirambeau are based, although the wine is classed as AC Bordeaux, since Entre-Deux-Mers is a white wine appellation) he would likely be very pleased to make this sort of wine.
The Chateau Coucy '02, from a Saint Emilion satellite, seemed rather less complex than last year, and perhaps a little sweeter, but still very good value at £11.
Ch Troplong-Mondot '99, Saint Emilion Grand Cru, was very fine. A slightly sweet sandalwood perfume-y nose, just exactly as it should be, then on the palate a poised dry medium-bodied savoury red wine. For claret it is markedly stand-alone, as opposed to being a food wine.
l'Arrivet Haut-Brion '99 is a wonderful example of wine which expresses place. There is a distinct mineral stony element to the palate, just as one would hope for in a Pessac-Leognan.
Ch Brillette (bottle 2) ((bottle 1 was actually Ch Old Socks)) is a cracking bargain. £16 for a rounded, mellow, chocolate and plums style of claret. It's a mere Cru Bourgeois Superior, but that's only because the 1855 classification moves more slowly than Lord Kelvin's Pitch and Cork Experiment.
l'Ermitage de Chasse-Spleen (second wine of Ch Chasse-Spleen) was very well liked by most everyone else at the tasting, but I took against it because the wine had a whiff of brimstone or maybe cabbage when opened.
Wine #7 was tonight's shiny bauble: Ch Leoville-las-Cases, Saint-Julien 2eme Cru. Even with five hours of airing it remained dark and tight. I could find hints of the mocha and unlit cigar aromas that top notch Bordeaux can provide, but mainly the Little Genie was saying, 'let me sleep for another five years, or ten'. Perhaps I'll have made my million by then.
Tour de Pez, like Brillette, is a Cru Bourgeois which deserves higher ranking. Spicy and a little sour on the nose (but in a good way. Not volatile acidity or any such malarky), the palate seemed rather closed to me. not ready yet, or in need of lengthy decanting.
To sum up. l'Arrivet is the one to drink right now. If the France vs Australia tussle were a rugby match, then l'Arrivet is the Rooster the Gauls would release onto the pitch to strut about crowing, leaving the poor kangaroo hopping sadly in its wake, dropping oak staves from its pouch and dripping the juice of squished currants from its boxing gloves.
2007-03-21
Tonight's Tasting Brought to you by the Letter B
Small Island Boy was up to his tricks again, this time with some brilliant whisky. He gave us two Balvenies versus two Bruichladdichs (kind of) and then finished off with that ne plus ultra for whisky-twitchers, a bottling from a deceased distillery.
It was a hellish cold night in Partick, but after the tasting I found myself to be quite comfortable sans jacket. More to the point, all the next day I was clad two layers lighter than usual saying to myself from within my cereal glow, "uisge beatha truly is the water of life" - I really have to tell you, whisky fires you up and gets you going, it fires and inspires me, all hail the acrospire!
Whoops... slightly carried away there. For your convenience: acrospire defined. Things not any clearer? Just ask SIB, for he is the Man Who Knows.
The whiskies:
Bruichladdich 1993 recioto cask finish versus Balvenie 1993 Port wood
I liked the nosefeel of the Laddie - kinda velvety - but the Balvenie won this bout, by virtue of its relaxed mellowtude and digestive biscuit finish.
Port Charlotte 5 year old versus Balvenie 14 year old roasted malt
I suppose the malt one might imagine regularly sipping, of all tonight's offerings, would be this Balvenie, for its easy character, and especially for the hint of honey-dipped cigars it occasionally offers. Yet the winner here was the PC5. Freshness, that full on Islay Wow! character that first drew me to malt whisky, or just the complexity in the glass. Or all three...
the Brora 30 year old scored highest for the night (4 - 5: excellent - astonishing) and brought me a new organoleptic experience : the scent of lilies. Only once, and fleetingly, but lilies. From malt whisky. There were other things, perhaps less desirable. Cowbyres. Sunwarmed animals. Seabirds. Leaves - mouldering ones. Caboc (also know as 'Here, this butter is past the sell by date. I know! Let's repackage it as cheese')
A great night. Thanks, SIB. Thanks, 'B'.
It was a hellish cold night in Partick, but after the tasting I found myself to be quite comfortable sans jacket. More to the point, all the next day I was clad two layers lighter than usual saying to myself from within my cereal glow, "uisge beatha truly is the water of life" - I really have to tell you, whisky fires you up and gets you going, it fires and inspires me, all hail the acrospire!
Whoops... slightly carried away there. For your convenience: acrospire defined. Things not any clearer? Just ask SIB, for he is the Man Who Knows.
The whiskies:
Bruichladdich 1993 recioto cask finish versus Balvenie 1993 Port wood
I liked the nosefeel of the Laddie - kinda velvety - but the Balvenie won this bout, by virtue of its relaxed mellowtude and digestive biscuit finish.
Port Charlotte 5 year old versus Balvenie 14 year old roasted malt
I suppose the malt one might imagine regularly sipping, of all tonight's offerings, would be this Balvenie, for its easy character, and especially for the hint of honey-dipped cigars it occasionally offers. Yet the winner here was the PC5. Freshness, that full on Islay Wow! character that first drew me to malt whisky, or just the complexity in the glass. Or all three...
the Brora 30 year old scored highest for the night (4 - 5: excellent - astonishing) and brought me a new organoleptic experience : the scent of lilies. Only once, and fleetingly, but lilies. From malt whisky. There were other things, perhaps less desirable. Cowbyres. Sunwarmed animals. Seabirds. Leaves - mouldering ones. Caboc (also know as 'Here, this butter is past the sell by date. I know! Let's repackage it as cheese')
A great night. Thanks, SIB. Thanks, 'B'.
2007-03-14
Chalk and Cheese
SmallIslandBoy hosted a tasting of wines from the Chalk Hill winery in McLaren Vale, South Australia - not to be confused with the other Chalk Hill. SIB is very keen on having a relaxed atmosphere for his tastings - this one featured an interesting variant on the Australian Philosophers Rules ("Rule 1: No Not Drinking") - and I fear I relaxed too much because I came at the first wine, the only white of the night, from quite the wrong angle.
Chalk Hill The Procrastinator Sauvignon Blanc (02006, stelvin) is bang on target if you think of it as an Italian aperitif wine. As an Ozzy SB it sucks. It's fairly neutral, you see, rather than being green grass and wet pebbles. I should have been nibbling the tasty cheeses along with this one. As it was, cheeseless winegeek that I am, I made a face and scored it as 1-2 (crap - ordinaire). Sorry SIB, I promise to try it again, this time with a selection of antipasti.
The Italian Red varietals, on the other hand, were absolutely top notch. The Barbera in particular is well worth trying. For £12.99 you get an excellent glassful, with a complex nose, full of earthy, olive-y and green pepper notes. The palate is mellow, smooth and savoury, with remarkably good balance for such a strong wine - 15.5%. Chalk Hill Barbera (02005, stelvin): 4 (excellent).
Chalk Hill sponsor the Glossy Black Cockatoo Project, to the tune of 12 acres of drooping sheoaks every year. I wonder if they ever pause to consider the effects of the Australian-led move from corks to screwtops on the habitat of birds like the Iberian Eagle.
Chalk Hill The Procrastinator Sauvignon Blanc (02006, stelvin) is bang on target if you think of it as an Italian aperitif wine. As an Ozzy SB it sucks. It's fairly neutral, you see, rather than being green grass and wet pebbles. I should have been nibbling the tasty cheeses along with this one. As it was, cheeseless winegeek that I am, I made a face and scored it as 1-2 (crap - ordinaire). Sorry SIB, I promise to try it again, this time with a selection of antipasti.
The Italian Red varietals, on the other hand, were absolutely top notch. The Barbera in particular is well worth trying. For £12.99 you get an excellent glassful, with a complex nose, full of earthy, olive-y and green pepper notes. The palate is mellow, smooth and savoury, with remarkably good balance for such a strong wine - 15.5%. Chalk Hill Barbera (02005, stelvin): 4 (excellent).
Chalk Hill sponsor the Glossy Black Cockatoo Project, to the tune of 12 acres of drooping sheoaks every year. I wonder if they ever pause to consider the effects of the Australian-led move from corks to screwtops on the habitat of birds like the Iberian Eagle.
2007-03-08
Brilliant. Bonkers, but Brilliant.
To the rather posh Hotel du Vin for a tasting of Mas de Daumas Gassac, presented - by Samuel Guibert - very informatively, and with almost no smoke or mirrors. He told us we would have had the product of forty five varieties of grape by the evening's end. This in itself excited my inner list-ticker, and I was not disappointed.
There were several lesser wines, all very tasty and pretty much accurately priced, but reaching the Mas de Daumas Gassac Blanc (02005, cork) was something of a two or three level power-up.
As the Big Egg says, the Blanc is bonkers. A blend of Viognier, Chenin, Chardonnay, Manseng, with other varietals for seasoning, this one utterly bamboozled me. Here's my initial tasting note.
Over the evening it evolved into a brilliant full viognier dominated blend, although without the wonderful downy billowing texture of Condrieu. Rather there was a soft oiliness, like good white Chateauneuf. Whatever that note means, the wine certainly deserves its score of 5 (astonishing).
The Mas de Daumas Gassac Rouge ('04, '03, '02, cork) were all very good to excellent (score 3-4), complex and fascinating. The technical note says they are currently in their 'Period of Youth'. I should very much like to try them when they have reached their Period of Plenitude, aged between 14 and 21 years. Fingers crossed. Anyway, here is - just to persuade you to rush out and buy some - my tasting note for the Rouge '03.
Ahhh! Lovely.
The Small Egg raised a very interesting point. Can a wine which varies so much over three consecutive vintages be said to have its own character? He asserted that all great and/or unique wines have their own recognisable character. Can one say this of Mas de Daumas Gassac? I don't know. After all, 02003 was an odd year, and '04 was kind of the rebound from that, in terms of vine growth / production, so you might argue that these three vintages are not a typical vertical tasting.
Update: a bit of rummaging has resulted in this partial list of grape varieties used at Daumas: Clairette, Sauvignon Blanc, Grenache Blanc, Cabernet Sauvignon, Syrah, Grenache Noir, Mourvèdre, Carignan, Chenin, Chardonnay, Viognier, Petit Manseng, Malbec, Pinot Noir, Nebbiolo, Petit Verdot, Muscat de Alexandria, Sercial, and Cabernet Franc. Nineteen, which is some way short of the promised forty-five. Any information you might have would be very useful as a comment.
There were several lesser wines, all very tasty and pretty much accurately priced, but reaching the Mas de Daumas Gassac Blanc (02005, cork) was something of a two or three level power-up.
As the Big Egg says, the Blanc is bonkers. A blend of Viognier, Chenin, Chardonnay, Manseng, with other varietals for seasoning, this one utterly bamboozled me. Here's my initial tasting note.
"over-ripe fruit, fish, smoke, animals, bananas, more smoke, Lagavulin, sherry fish. Then green. celery juice, then nutty."
Over the evening it evolved into a brilliant full viognier dominated blend, although without the wonderful downy billowing texture of Condrieu. Rather there was a soft oiliness, like good white Chateauneuf. Whatever that note means, the wine certainly deserves its score of 5 (astonishing).
The Mas de Daumas Gassac Rouge ('04, '03, '02, cork) were all very good to excellent (score 3-4), complex and fascinating. The technical note says they are currently in their 'Period of Youth'. I should very much like to try them when they have reached their Period of Plenitude, aged between 14 and 21 years. Fingers crossed. Anyway, here is - just to persuade you to rush out and buy some - my tasting note for the Rouge '03.
"strong cow poo and warm fur. chocolate melted on the hands of a toddler who urgently needs changed. chocolate bananas"
Ahhh! Lovely.
The Small Egg raised a very interesting point. Can a wine which varies so much over three consecutive vintages be said to have its own character? He asserted that all great and/or unique wines have their own recognisable character. Can one say this of Mas de Daumas Gassac? I don't know. After all, 02003 was an odd year, and '04 was kind of the rebound from that, in terms of vine growth / production, so you might argue that these three vintages are not a typical vertical tasting.
Update: a bit of rummaging has resulted in this partial list of grape varieties used at Daumas: Clairette, Sauvignon Blanc, Grenache Blanc, Cabernet Sauvignon, Syrah, Grenache Noir, Mourvèdre, Carignan, Chenin, Chardonnay, Viognier, Petit Manseng, Malbec, Pinot Noir, Nebbiolo, Petit Verdot, Muscat de Alexandria, Sercial, and Cabernet Franc. Nineteen, which is some way short of the promised forty-five. Any information you might have would be very useful as a comment.
2007-02-23
A Wee Australian Sweetie
Ha! Gotcha.
(Sorry. just trying to bring more traffic here by sucking in the Kylie fans. My bad. But hey!, now that you're here, stay for a bit. The Dots are very restful)
I've had some delightful Sweet Wine Saturdays, but this time SmallFierceGlasses had the genius idea of Sweet Wine SundayMonday: tasting de Bortoli Noble One Botrytised Semillon (02001, cork) over two days, to see how it evolves with a touch of air.
We were a little concerned about the colour of the wine - as a dark as a well-sherried malt whisky - but the first sniff chased that concern away like a gentle spring breeze clearing out the chilly remnants of winter.
Fresh and leafy, and somehow the air in my glass was cleaner than the surrounding air, with perhaps a touch of salt, as if there were ozone or sea air to it. Then marmalade, and later, a hint of soy or five spice powder. Lovely!
The palate was crisp lime marmalade, with a buttery feel. The finish was very, very sticky. An excellent 4++.
Day two was where it really got interesting. The nose now had added a very fleeting floral perfume, and perhaps a wee earthy note, but as to the palate and mouthfeel...
Ka-Wow...
If you could shrink-wrap a lime around a gooseberry, spray it with barley sugar crystals and then make it spin on the back of your tongue, you would get a notion of what the Little Genie in the Bottle was doing to me with this wine. Rarely have I tasted a wine which seemed so alive, tingling, moving. It didn't last long, perhaps only half a minute or so, but this is what the whole blooming wine thing is all about, these moments of pure sensory pleasure.
Re-reading this post, I'd be inclined to rate the wine as a 5, but my tasting notes say 4-5. Probably just churlishness.
(Sorry. just trying to bring more traffic here by sucking in the Kylie fans. My bad. But hey!, now that you're here, stay for a bit. The Dots are very restful)
I've had some delightful Sweet Wine Saturdays, but this time SmallFierceGlasses had the genius idea of Sweet Wine SundayMonday: tasting de Bortoli Noble One Botrytised Semillon (02001, cork) over two days, to see how it evolves with a touch of air.
We were a little concerned about the colour of the wine - as a dark as a well-sherried malt whisky - but the first sniff chased that concern away like a gentle spring breeze clearing out the chilly remnants of winter.
Fresh and leafy, and somehow the air in my glass was cleaner than the surrounding air, with perhaps a touch of salt, as if there were ozone or sea air to it. Then marmalade, and later, a hint of soy or five spice powder. Lovely!
The palate was crisp lime marmalade, with a buttery feel. The finish was very, very sticky. An excellent 4++.
Day two was where it really got interesting. The nose now had added a very fleeting floral perfume, and perhaps a wee earthy note, but as to the palate and mouthfeel...
Ka-Wow...
If you could shrink-wrap a lime around a gooseberry, spray it with barley sugar crystals and then make it spin on the back of your tongue, you would get a notion of what the Little Genie in the Bottle was doing to me with this wine. Rarely have I tasted a wine which seemed so alive, tingling, moving. It didn't last long, perhaps only half a minute or so, but this is what the whole blooming wine thing is all about, these moments of pure sensory pleasure.
Re-reading this post, I'd be inclined to rate the wine as a 5, but my tasting notes say 4-5. Probably just churlishness.
2006-11-10
Minervois (Again) (What's your point caller? Minervois pure dead rules!)
Doing a tasting of crowd pleaser wines tonight, I threw in the Hegarty No3 (02004, cork), laughing all the while. There were one or two down-drawn lips, but it drew a reaction from everyone, and nearly all good.
Last time I tried this, I figured I could cellar some and give an updated report, so natch the whole lot disappeared straight away. Tonight's was the new vintage - also, it's AC Minervois this time, not Vin de Table.
It's a very dark purple-to-black carignan/syrah/grenache blend, and (heh heh) it's a stinky wine. Earthy, farmyard-y, big, herbaceous. The carignan has been so skillfully vinified. It shines. The palate is rather softer than the previous vintage, perhaps a little less funky, but oh so tasty. Prunes, sweet-perfumed smokiness, perhaps a little chocolate, some bitter apple pip notes. One day carignan will rule the world {Thppt! That for your malbec sirrah!}, and it's this sort of wine that will be in charge of the Department of Keeping the People Happy.
Pointy scoring thing: 4 - 5 (compares with 15/20 last time, which is roughly (3-)4 ).
Last time I tried this, I figured I could cellar some and give an updated report, so natch the whole lot disappeared straight away. Tonight's was the new vintage - also, it's AC Minervois this time, not Vin de Table.
It's a very dark purple-to-black carignan/syrah/grenache blend, and (heh heh) it's a stinky wine. Earthy, farmyard-y, big, herbaceous. The carignan has been so skillfully vinified. It shines. The palate is rather softer than the previous vintage, perhaps a little less funky, but oh so tasty. Prunes, sweet-perfumed smokiness, perhaps a little chocolate, some bitter apple pip notes. One day carignan will rule the world {Thppt! That for your malbec sirrah!}, and it's this sort of wine that will be in charge of the Department of Keeping the People Happy.
Pointy scoring thing: 4 - 5 (compares with 15/20 last time, which is roughly (3-)4 ).
2006-11-06
Hmmn. Didn't anticipate that
Time for a change of plan, perhaps. At the Oddbins Wine Fair in Edinburgh, someone (nameless, so far, but that may change, depending on what mileage can be extracted) recognised me from the little picture that sits in the top left corner of this blog. All well and good, I hear you say, everyone likes egoboo. Except that what happened was this. We said hello, he poured me some wine, I drank it, we said goodbye, I turned away, then he shouted after me (corporate venue / noisy / crap acoustics), "Smell my cork!, Smell the Cork!".
I could see people on all sides edging away.
Ah well. Lovely wine, too.
I could see people on all sides edging away.
Ah well. Lovely wine, too.
2006-09-09
Tongue-velvet, and it gets you loaded
Ben Glaetzer is some kind of wine-making demon. He does very fine work for the Heartland label, runs a contract operation which produces hundreds of different wines, and yet he still has time to produce some amazing bottles under his own name. I've mentioned the Glaetzer Bishop before, and have greatly enjoyed the Wallace and the Glaetzer Shiraz. Now I've had a sniff at the Amon-Ra Shiraz (02004, cork), and by golly it's mighty stuff.
We weren't even going to open the bottle, but Smiley's finger accidently pressed the enter key and I went into a sort of de-corking trance, which only ended when I smelt something which made me think of nothing so much as a very youthful Penfold's Grange, all vanilla custard and dark chocolate. But then it evolved through a whole series of tasty treats: fruity blackcurrants, sweet oakiness, meaty savoury notes, smoke and then into more chocolate and a great walloping punnet of blackcurranty juiciness. When I finally stopped pleasuring my nose and tasted the stuff, I found the familiar Glaetzer ultra-smooth tannins, mellower than a stoner Gong fan at a Winter Solstice celebration gig, full of sweet dark fruit and delicate smoky notes, all backed up by a full-bodied deeply satisfying texture.
Big Bad Bob rated the '03 vintage Amon-Ra so highly as to cause an unseemly ruckus amongst his followers, yea unto the point of price hikes, hoarding, and general snapping up of all available stock before a reasonable man might gather his wits enough to find a bottle. I didn't taste the '03, but if it's better than this, I may have to do a deal with Anubis, or someone equally shady, to obtain some (Sorry. I've been reading Goethe. It warps a person. I'd never sell my soul for a mere bottle of wine. Honest). Meanwhile, if I were you, I'd grab some of this before it vanishes. It's a genuine five-pointer. Glaetzer Amon-Ra Shiraz '04: 5 (= Good Lord! Astonishing!).
We weren't even going to open the bottle, but Smiley's finger accidently pressed the enter key and I went into a sort of de-corking trance, which only ended when I smelt something which made me think of nothing so much as a very youthful Penfold's Grange, all vanilla custard and dark chocolate. But then it evolved through a whole series of tasty treats: fruity blackcurrants, sweet oakiness, meaty savoury notes, smoke and then into more chocolate and a great walloping punnet of blackcurranty juiciness. When I finally stopped pleasuring my nose and tasted the stuff, I found the familiar Glaetzer ultra-smooth tannins, mellower than a stoner Gong fan at a Winter Solstice celebration gig, full of sweet dark fruit and delicate smoky notes, all backed up by a full-bodied deeply satisfying texture.
Big Bad Bob rated the '03 vintage Amon-Ra so highly as to cause an unseemly ruckus amongst his followers, yea unto the point of price hikes, hoarding, and general snapping up of all available stock before a reasonable man might gather his wits enough to find a bottle. I didn't taste the '03, but if it's better than this, I may have to do a deal with Anubis, or someone equally shady, to obtain some (Sorry. I've been reading Goethe. It warps a person. I'd never sell my soul for a mere bottle of wine. Honest). Meanwhile, if I were you, I'd grab some of this before it vanishes. It's a genuine five-pointer. Glaetzer Amon-Ra Shiraz '04: 5 (= Good Lord! Astonishing!).
2006-08-25
Boroli Barolo By Golly
Heh heh heh heh. I get to taste this twice in the space of a fortnight, and I haven't done a good deed in, oh, weeks and months. The world has gone awry, but the slope is all towards me, so that's OK.
Boroli Barolo (1999, cork), was offered to us as 'basic' Barolo (translation: cheap, and thus perhaps crap), but I am pleased to say it is the very antithesis of basic. It has such a complex nose, you could spend an hour teasing out the different elements, and still not be half done. I found molasses, aniseed, chocolate, a softly floral note, and some medicinal high tones, all laid over a solid dark fruitiness. As a result of lingering over the wonderful bouquet, I rather glugged it, but I can say that it has a medium body, still with loads of tannins despite being seven years old, and very tasty in a dark fruit way. Superb (= 5).
Boroli Barolo (1999, cork), was offered to us as 'basic' Barolo (translation: cheap, and thus perhaps crap), but I am pleased to say it is the very antithesis of basic. It has such a complex nose, you could spend an hour teasing out the different elements, and still not be half done. I found molasses, aniseed, chocolate, a softly floral note, and some medicinal high tones, all laid over a solid dark fruitiness. As a result of lingering over the wonderful bouquet, I rather glugged it, but I can say that it has a medium body, still with loads of tannins despite being seven years old, and very tasty in a dark fruit way. Superb (= 5).
2006-07-24
Green! And Verr Verr Tasty
Frog's Leap Vineyard in the Napa Valley, California, are a forward thinking outfit who make their wines with a strong regard for their environment. Using biodynamic principles, and dry farming, they have been in production for about a quarter century now.
They also approach their work with a light heart, as is evidenced by the name of this one, Leapfrögmilch (2004, synthetic closure). I like a pun, the worse the better, if you see what I mean, and what's more, I liked this wine, really rather a lot.
It's a blend of 70% Riesling and 30% Chardonnay (picked early, according to my notes - not quite sure what that means, but probably refers to the Chardy), and it is lovely.
Floral and green, with lime-y notes on the nose, the palate is soft, smooth, delicate, easy (you get the idea), but the finish - ah the finish! - is sublime. Long, and delicately growing ever more sherbety on the centre of my tongue. If only Liebfraumilch had been like this, the Australians would have given up and gone home back in, oh, 1982, I should think. Excellent, perhaps even Superb (= 4 - 5 ).
They also approach their work with a light heart, as is evidenced by the name of this one, Leapfrögmilch (2004, synthetic closure). I like a pun, the worse the better, if you see what I mean, and what's more, I liked this wine, really rather a lot.
It's a blend of 70% Riesling and 30% Chardonnay (picked early, according to my notes - not quite sure what that means, but probably refers to the Chardy), and it is lovely.
Floral and green, with lime-y notes on the nose, the palate is soft, smooth, delicate, easy (you get the idea), but the finish - ah the finish! - is sublime. Long, and delicately growing ever more sherbety on the centre of my tongue. If only Liebfraumilch had been like this, the Australians would have given up and gone home back in, oh, 1982, I should think. Excellent, perhaps even Superb (= 4 - 5 ).
2006-07-23
TN: Borie de Maurel Cuvée Sylla
At a tasting of syrah / shiraz from around the world, this was the wine for me. I am a Francophile, but even setting that aside, this was a skelper.
A powerful nose of very ripe dark fruit (?cherries?), strangely mixed with what I took for apricot, and the near-suffocating perfume of strongly scented flowers such as lilies makes wild promises that this will be a bold, sensual, sexy wine, and the palate fulfils those promises in a manner which allows me at last to use the adjective 'saturnine'. Strong and smooth and dark, with loads of acid, fruit and tannin, this is a big wine, which will go on being big for years. Go and read 'Snow Crash', if you haven't already, then come back and taste this stuff and see if you find yourself agreeing when I say that if this wine weren't called Sylla it would be called Raven.
We tasted the '03 vintage (cork closure) and I scored it 4-5. (New scoring system! More details to follow. Runs from 0 (faulty) to 5 (Astonishing) with a theoretical possibility of 6 for such marvels as d'Yquem, Observatory, Mouton-Rothschild.)
Link to Borie de Maurel website.
A powerful nose of very ripe dark fruit (?cherries?), strangely mixed with what I took for apricot, and the near-suffocating perfume of strongly scented flowers such as lilies makes wild promises that this will be a bold, sensual, sexy wine, and the palate fulfils those promises in a manner which allows me at last to use the adjective 'saturnine'. Strong and smooth and dark, with loads of acid, fruit and tannin, this is a big wine, which will go on being big for years. Go and read 'Snow Crash', if you haven't already, then come back and taste this stuff and see if you find yourself agreeing when I say that if this wine weren't called Sylla it would be called Raven.
We tasted the '03 vintage (cork closure) and I scored it 4-5. (New scoring system! More details to follow. Runs from 0 (faulty) to 5 (Astonishing) with a theoretical possibility of 6 for such marvels as d'Yquem, Observatory, Mouton-Rothschild.)
Link to Borie de Maurel website.
2006-04-05
"Peers an Happel"
To a presentation of some of the wines of Marqués de Cáceres by Florent Thibaut, their Export Sales manager. He spoke most knowledgeably and entertainingly, and, I must add, with a wonderful accent - "peers an happel" are the fruit flavours to be found in the Blanco Crianza '03 (cork) which scored a solid 14/20.
The most interesting wine of the evening was the Gran Reserva 1995 (cork). It was still fairly purple, not really aged looking at all, and boy did it show well tonight. Last time I tasted this we opened a second bottle, so dull was the first, and the second bottle only confirmed our opinion of the first. But tonight's bottle was full of wild flavours and aromas - my notes include "spaghetti hoops on very buttery toast, talcy perfume, bananas, ?toothpaste". Yeeeeha! (Also a very strong 16+/20).
I must also mention the Satinela Semi Dulce ('05, cork), which possesses one of the dodgiest labels on any sweet wine anywhere. Don't be put off as I was for so long - try this one soon. It's very, very pale, only just green; mildly aromatic, fruity and very clean; and has a lovely sweet vinous palate. This late harvest Viura scores 15/20.
The most interesting wine of the evening was the Gran Reserva 1995 (cork). It was still fairly purple, not really aged looking at all, and boy did it show well tonight. Last time I tasted this we opened a second bottle, so dull was the first, and the second bottle only confirmed our opinion of the first. But tonight's bottle was full of wild flavours and aromas - my notes include "spaghetti hoops on very buttery toast, talcy perfume, bananas, ?toothpaste". Yeeeeha! (Also a very strong 16+/20).
I must also mention the Satinela Semi Dulce ('05, cork), which possesses one of the dodgiest labels on any sweet wine anywhere. Don't be put off as I was for so long - try this one soon. It's very, very pale, only just green; mildly aromatic, fruity and very clean; and has a lovely sweet vinous palate. This late harvest Viura scores 15/20.
2006-04-02
More Minervois
Last time it was an AC wine - La Cuvée Mythique - for only £3.49. Tonight I'm drinking a Vin de Table which costs twice that. Yup, it's Hegarty Chamans No.3, under cork (£6.99 from Oddbins). The way the wine is labelled though, it's clear that it is from the 02003 vintage.
In truth, the label would make you think this wine was Australian, but one sniff tells you otherwise. I originally wrote, "...it can only be Southern France", but then I thought about how it rather reminds me of the Observatory Carignan/Syrah, from South Africa, so I intend to keep that assertion in reserve until I can test it against my precious last bottle of that finest of nectars.
The No.3 is very youthful looking - bright purple - and has a powerful nose, with a complex mix of herbs, burning green twigs, molasses, licorice, soy sauce and five-spice powder. There is also a fair whack of bright fruit, I'm told, but I was too distracted by all the savoury elements to pay any attention to that. The palate is strong, dry, somehow bitter and sweet at the same time, with fairly rough tannins and a long finish with a sharp little twist to it.
Despite all these good things I'm saying about it, I only rate the wine as 15/20. It falls into the same category as the de Bortoli Gulf Station Pinot Noir (blogged here); interesting but not satisfying. I think it's just not knitted together yet. I'll try it again in six months or a year and tell you how it is evolving.
In truth, the label would make you think this wine was Australian, but one sniff tells you otherwise. I originally wrote, "...it can only be Southern France", but then I thought about how it rather reminds me of the Observatory Carignan/Syrah, from South Africa, so I intend to keep that assertion in reserve until I can test it against my precious last bottle of that finest of nectars.
The No.3 is very youthful looking - bright purple - and has a powerful nose, with a complex mix of herbs, burning green twigs, molasses, licorice, soy sauce and five-spice powder. There is also a fair whack of bright fruit, I'm told, but I was too distracted by all the savoury elements to pay any attention to that. The palate is strong, dry, somehow bitter and sweet at the same time, with fairly rough tannins and a long finish with a sharp little twist to it.
Despite all these good things I'm saying about it, I only rate the wine as 15/20. It falls into the same category as the de Bortoli Gulf Station Pinot Noir (blogged here); interesting but not satisfying. I think it's just not knitted together yet. I'll try it again in six months or a year and tell you how it is evolving.
2006-04-01
'42 Cuvées'
... it says on the label - obviously this wine is the ultimate answer. The question must have been, "What bargain wine should rodbod buy this week?"
The more different wines I taste, the more I like them all. But if I do have a weakness, it has to be for Minervois, the first cheap-yet-decent red wine I came across. So to find the Coop doing La Cuvée Mythique for only £3.49 gladdened my heart. It's the 2001 vintage, under cork , so obviously they are keen to clear it, but it certainly isn't past it.
It is still a youthful looking purple. The nose is strong and clean, with notes of pepper and cherry jam (or maybe pie filling). There are more cherries on the palate, which is full, dry and rich, with a spicy peppery finish.
A solid 15/20. Grab some before I complete my tour of Coops of the West of Scotland - once I've finished there won't be any left.
The more different wines I taste, the more I like them all. But if I do have a weakness, it has to be for Minervois, the first cheap-yet-decent red wine I came across. So to find the Coop doing La Cuvée Mythique for only £3.49 gladdened my heart. It's the 2001 vintage, under cork , so obviously they are keen to clear it, but it certainly isn't past it.
It is still a youthful looking purple. The nose is strong and clean, with notes of pepper and cherry jam (or maybe pie filling). There are more cherries on the palate, which is full, dry and rich, with a spicy peppery finish.
A solid 15/20. Grab some before I complete my tour of Coops of the West of Scotland - once I've finished there won't be any left.
2006-03-28
Shurely Shome Mishtake, Vicar
I was preparing to present some Pinot Noirs at a tasting last week, and also thinking about how we describe wine. I found a very long list of scents and flavours which were said to have been noted in Pinot. I wrote some of them out, but dismissed a fair number as implausible, and then read out the list at the start of the tasting just to get people in the mood.
Imagine my surprise when three people - at two different tables - said that one wine smelt like Sauvignon Blanc (this flavour/scent was not on the list).
I don't really have anything to say about this, I just want to share my bamboozlement with you.
Imagine my surprise when three people - at two different tables - said that one wine smelt like Sauvignon Blanc (this flavour/scent was not on the list).
I don't really have anything to say about this, I just want to share my bamboozlement with you.
2006-03-14
Exploding Plums and Chocolate Shrapnel
This time it's Colomé Estate ('04, cork). A big, dark, plummy blend of two thirds Malbec, a fifth Cabernet Sauvignon, and some Tannat from the Salta province of Northern Argentina. I was impressed by its claim to be from "The highest vineyard in the World", but Puddleglum assures me that all Argentinian wines have this on the label. The wine is very concentrated, dry, warming, and satisfying. It seems complex, too (my tasting note mentions herbs, barley sugar and blackcurrants), and has a long finish. A very good 16++(?17)/20.
There are two points to note here. My first impression of the wine was, "Whoah! Fruit bomb! Hee-hee!", but that's such a tired description, hence this blog's title, which conveys something of the attention-grabbing nature of the wine, and also tells you a little about the flavours. There was an anonymous comment on the previous post about how we describe wines, but I did detect the hand of TallAsAVan, who once characterised a poor Argentinian Malbec as being "like the dissonant clatter of a filing cabinet falling down some stairs". Perhaps he might think of Colomé Estate as an October storm rushing through a beech copse high on the Downs; powerful, exhilarating, exciting.
Second point: scoring. What exactly does 16++(?17) mean? Mainly it reflects my inability to settle on a single number, but that isn't very satisfactory. This year I am resolved to improve my wine scoring system. Along the way I may well try out Parker-style scoring, a star rating, or anything else which is suggested to me. In the meantime, have a look at this radical new scoring system.
There are two points to note here. My first impression of the wine was, "Whoah! Fruit bomb! Hee-hee!", but that's such a tired description, hence this blog's title, which conveys something of the attention-grabbing nature of the wine, and also tells you a little about the flavours. There was an anonymous comment on the previous post about how we describe wines, but I did detect the hand of TallAsAVan, who once characterised a poor Argentinian Malbec as being "like the dissonant clatter of a filing cabinet falling down some stairs". Perhaps he might think of Colomé Estate as an October storm rushing through a beech copse high on the Downs; powerful, exhilarating, exciting.
Second point: scoring. What exactly does 16++(?17) mean? Mainly it reflects my inability to settle on a single number, but that isn't very satisfactory. This year I am resolved to improve my wine scoring system. Along the way I may well try out Parker-style scoring, a star rating, or anything else which is suggested to me. In the meantime, have a look at this radical new scoring system.
2006-03-06
Plum jam and old iron
I'm drinking de Bortoli Yarra Valley Gulf Station Pinot Noir (2004, stelvin) and wondering how to describe it. I don't really hold with the fruit-salad-throw-lots-of-adjectives-and-something'll-stick approach, but I can't just leave it at 'plum jam and old iron'. Then again, if I say that I mean the sort of cheap Polish plum jam Safeway used to sell long ago, before Solidarity got started on doing away with the Communists, rather than the rich, fresh - FRESH! - confection that Bob whizzed up from Mrs O's glut last autumn I'm inviting a nomination to Pseud's Corner.
It's interesting, this challenge we face of trying to translate our impressions of a wine from the personal to the universal. For me, it's a fair proportion of the pleasure I find in wine.
"This is all very well", I hear you say, "but should I shell out £9 for a bottle?". Hmmn. Probably not. It's a decent wine, interesting, does show varietal character a little, but it's not all that satisfying to drink. In truth, I think it's too young. So, buy it and keep for a year or two, or nod wisely and move on. Despite which, I do think it rates 14/20. Interesting but not satisfying.
It's interesting, this challenge we face of trying to translate our impressions of a wine from the personal to the universal. For me, it's a fair proportion of the pleasure I find in wine.
"This is all very well", I hear you say, "but should I shell out £9 for a bottle?". Hmmn. Probably not. It's a decent wine, interesting, does show varietal character a little, but it's not all that satisfying to drink. In truth, I think it's too young. So, buy it and keep for a year or two, or nod wisely and move on. Despite which, I do think it rates 14/20. Interesting but not satisfying.
2006-01-09
TN: Lamura Grillo '04
January is a month for belt-tightening, underspending, and general parsimony, so you will be pleased to hear about Lamura Grillo ('04, terrible little spongy doo-dad), one of the extensive range of wines from Casa Girelli.
For only £4.49 (from Oddbins) you get a very decent glass indeed. A strong mainly savoury nose, but with interesting hints of herbs and grass, leads onto a dry clean palate which is full, savoury and long, veering into a refreshing touch of bitterness at the finish.
Grillo is the Sicilian grape variety traditionally used to make Marsala, but here modern techniques have produced a very decent dry quaffer. A solid 14/20.
For only £4.49 (from Oddbins) you get a very decent glass indeed. A strong mainly savoury nose, but with interesting hints of herbs and grass, leads onto a dry clean palate which is full, savoury and long, veering into a refreshing touch of bitterness at the finish.
Grillo is the Sicilian grape variety traditionally used to make Marsala, but here modern techniques have produced a very decent dry quaffer. A solid 14/20.
2005-12-14
Whisky! Arrrr!
An Ardbeg tasting, hosted by Stuart Thomson, distillery manager.
Having braved the gauntlet which is First Rail, I managed to arrive at more or less the critical point in this tasting, Ardbeg Kildalton 1981. This astonishing whisky made me laugh out loud, a reaction which few whiskies (or wines for that matter) engender. Kildalton, to explain, is a more or less unpeated Ardbeg (!). What's more, you can't buy it, because they have pretty much run out. So why am I writing about it? To annoy you, of course. No, no, no, I don't mean that. That would be bad. I have to talk about it because it is such a good product. And Ardbeg might make something of its ilk again - y'never know. If ever you hear someone saying,"this is just like Kildalton 1981", bloomin grab it while you can.
Imagine, if you will, a gentle Ardbeg - yes, yes, yes, noisy boys at the back, I know, oxymoron, military intelligence, etc, etc, but that is what it is. The nose is gentle, sweet, a powerful blast of chocolate coated cherries, then becoming very mealy, with the salt finally coming through, and then more chocolate. The texture of the nose (nose feel?) reminded me of Port Ellen 24 y.o.
On the palate it is salty AND sweet, very mellow for an Ardbeg, with the charred wood / smoke character coming in on the long gentle finish. 17/20 (No really)
Having started with such a good whisky it was a little tricky to give the others a fair go. The Ardbeg 17yo was very stinky - fishy, in fact - at first, but then the smokiness came in, followed by dried fruit, saltiness, perhaps a hint of chocolate, and just a wee further touch of salt at the end. 16+/20
I was very taken, too, by the Uigeadail. This is blended from 10yo, 13yo, and some 1975 fino sherry cask, and the complex nose reflects this. It starts off metallic and seaside-y, there is a wee burning nip to it, then the fruity aromas, the smoke, more of the metallic character and a strong mealy note come through. These elements swirl round, first one then another coming to the fore, never settling on a single note. 16/20
A very fine tasting. I'm only sorry I missed some of it, since Stuart Thomson very evidently knows his stuff, and can talk about it most entertainingly.
Having braved the gauntlet which is First Rail, I managed to arrive at more or less the critical point in this tasting, Ardbeg Kildalton 1981. This astonishing whisky made me laugh out loud, a reaction which few whiskies (or wines for that matter) engender. Kildalton, to explain, is a more or less unpeated Ardbeg (!). What's more, you can't buy it, because they have pretty much run out. So why am I writing about it? To annoy you, of course. No, no, no, I don't mean that. That would be bad. I have to talk about it because it is such a good product. And Ardbeg might make something of its ilk again - y'never know. If ever you hear someone saying,"this is just like Kildalton 1981", bloomin grab it while you can.
Imagine, if you will, a gentle Ardbeg - yes, yes, yes, noisy boys at the back, I know, oxymoron, military intelligence, etc, etc, but that is what it is. The nose is gentle, sweet, a powerful blast of chocolate coated cherries, then becoming very mealy, with the salt finally coming through, and then more chocolate. The texture of the nose (nose feel?) reminded me of Port Ellen 24 y.o.
On the palate it is salty AND sweet, very mellow for an Ardbeg, with the charred wood / smoke character coming in on the long gentle finish. 17/20 (No really)
Having started with such a good whisky it was a little tricky to give the others a fair go. The Ardbeg 17yo was very stinky - fishy, in fact - at first, but then the smokiness came in, followed by dried fruit, saltiness, perhaps a hint of chocolate, and just a wee further touch of salt at the end. 16+/20
I was very taken, too, by the Uigeadail. This is blended from 10yo, 13yo, and some 1975 fino sherry cask, and the complex nose reflects this. It starts off metallic and seaside-y, there is a wee burning nip to it, then the fruity aromas, the smoke, more of the metallic character and a strong mealy note come through. These elements swirl round, first one then another coming to the fore, never settling on a single note. 16/20
A very fine tasting. I'm only sorry I missed some of it, since Stuart Thomson very evidently knows his stuff, and can talk about it most entertainingly.
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